We are the flesh
Mexico / 2016 / 80 min
Technical Details :
Noé Hernández, María Evoli, Diego Gamaliel
Piano
TBC
Spanish
Festivals & Awards :
Rotterdam IFFR – Official Selection
Neuchâtel IFF – Official Selection
Fantasia IFF – Camera Lucida – In Competition
Fantastic Fest – Official Selection
Sitges IFF – In Competition
Fantasy FilmFest – In Competition
Oldenburg IFF – Official Selection
Frightfest IFF – Official Selection
EastEnd IFF – In Competition
Mayhem IFF – Official Selection
BIFAN – Official Selection
Milano Film Festival – Official Selection
Morelia IFF – Official Selection
Mar del Plata IFF – Official Selection
Chicago IFF – Official Selection
Thessaloniki IFF – Official Selection
Split IFF – Official Selection
MotelX – Official Selection
L’Etrange FF – Official Selection
Strasbourg European Fantastic FF – Official Selection
Telluride Horror Show – Official Selection
Morbido FF – Official Selection
Sydney Underground FF – Official Selection
Goa IFF – Official Selection
San Sebastian Horror and Fantasy FF – Official Selection
Stoned Film Festival – Official Selection
Denver IFF – Official Selection
Molodist IFF – Official Selection
Goa IFF – Official Selection
Festival Cine Fantastico A Coruna FKM – In Competition
BUT Film Festival – Official Selection
Brooklyn Horror Film Festival – In Competition
Festival International de Film Grolandais – In Competition
KASK CINEMA – Official Selection
Belgrade IFF – Official Selection
Offscreen FF – Official Selection
FicBaq Colombia – Official Selection
Haapsalu Horror Film Festival – Official Selection
Festival du Film Subversif de Metz – Official Selection
Halloween Horror Slovenia – Official Selection
Lima Independiente FF – Official Selection
Halloween Horror Marathon – Ljubljana – Official Selection
Trash WKND – Official Selection
Best Actor @ Brooklyn Horror Film Festival
Breaktrough Female Performance @ 59th Ariel Awards Ceremony (“The Mexican Academy of Film Arts and Sciences”)
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Watch the Trailer :
Synopsis :
Face to face with (and emerging from) a culture in which cruelty and lust are linked in a shocking way, this debut provides an intense, allegorical vision of an apocalyptic Mexico – one we do not, however, get to see. In a derelict building, a brother and sister become fascinated by an older man.
